Atmos 5.1.2 Vs 7.1 Which Is Best

The 512 is a reference to a receivers configuration and not what was encoded on the disc. Read customer reviews find best sellers.

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I will probably mess around with that next weekend but right now the system is configured as 514.

. Atmos track played in an atmos enabled reciever capable of 512 onkyo nr646 with above speaker setup will is sound the same as Dolby true HD 71 track. 71 is very minimal improvement. A core virtue of Dolby Atmos is that it can incorporate a large number of traditional and overhead speakers to create an incredibly deep and precise audio experience.

A 71 system offers the best sound quality whereas a 21 arguably offers the worst. Get 2-Day Shipping Free Returns. If youre looking for the best audio quality then Id definitely recommend a 51 channel system.

Thus in a small room the 512 approach would be more beneficial over a 71 setup. In a small room like under 1200cu feet you wont even have the optimal amount of space behind the couch to put the surround back speakers. All this from the same 71 TrueHD base layer and Atmos metadata that gave you 512 in association with a 512 setup.

Honestly a well placedsetup of 51 is all you really need. 512 aka 71 or 72 - This setup is the most easily available and affordable and will work for almost everyone. Instead of 71 Dolby Atmos is 71X where the X should be understood as the number of overhead speakers incorporated into a Dolby Atmos surround system.

Find and Compare the Best Soundbars Based on Price Features Ratings Reviews. As far as I have been able to tell in all my reading on the subject an Atmos capable receiver set up for and running a standard channel-based 71 system will produce the same result as a 71. Also for the limited amount of Dolby Atmos stuff we have listened to the 514 config sounds much better than the 712.

Atmos has a 71 basic mix embedded in it - and the atmospheric channels are processed outside of that bed. My best results with this configuration came when I had the surround speakers as far back on the side wall as Dolby spec allowed and the Atmos heights overhead just in front of the listening position. So in this topic 512 vs 71.

Humans arent that good at pinpoint localization behind us surrounds placed at 110 behind the mlp will adequately portray rear sounds in 95 of cases. By adding two additional height channels you will be getting more frontal sound but less of the actual immersion behind above. Two height speakers arent going to give you the same hemispherical experience in the cinema but a 71 will be closer.

Atmos has a design that uses a bed 71 mix that is supplemented by 100 tracks of spatially placed objects. Its the most widely available type of speakers meaning you have a massive range to choose from and so should get more for your money. These objects will be rendered to the closest loudspeaker in the attached array.

I have run a 51 71 and now run a 714 setup. The most common home cinema configuration for Dolby Atmos speakers is 512 thats the regular 51 configuration with two height channels or 514 the same but with four height channels. Ive got a slightly bigher room more like 17 x 10 and Ive had 71 then 712 then 714.

That surprised me. 512 is almost a perfect setup. Ad Browse discover thousands of brands.

In a smaller space I would do 512 because it does give greater sense of immersion. I always recommend rear surrounds should be the last pair of speakers added to a system because the impart very little. You can effectively achieve 24110 if youve a receiver or processor that can support up to 32 channels.

In fact the height info is not decoded. However in my experience for smaller rooms less than 11x11 where seats are againstnear the back wall and large atmos-speakerlistening angles yield very short distances from each other on the ceiling a 512 system MIGHT workbut I think in that case switching to high-mounted dipoles sides in a 51 system would give much the same effect. Ad Read Expert Reviews Find Best Sellers.

When playing back an Atmos track on your 71 set-up the height information is not sent to the rear surrounds. When the room is larger I find the 71 really does a great job with rolling sound around you well. The same applies to the receiver if you start off with a 7 channel system for 512 you can add additional amps when finances allow.

Thats what gets decoded for your 71 layout. Just make sure you run the cables ready The Arcam 390 power output will be borderline in that size of room Unless you have very efficient speakers and you would best to look at least at the 550 if you want to stick with Arcam also. I wish I had wired my room differently - to my knowledge Denons 8500 receiver offers the most discreet channels with 726 - they have Atmos above the side surrounds to complete the 6 channels used by Atmos.

As the room isnt big I always found the side surrounds to somewhat overwhelm the other speakers and the back surrounds - while effective when noticed - quite muted for a lot of the time. A 512 set-up would give you a 3 dimensional bubble of sound. It all boils down to how big your room is and how it is shaped.

Theres really no substitute for what Atmos ceiling speakers bring to the game though theres limited content available to this point which really uses Atmos to maximum effect. Atmos is a much bigger impact IMO and I think a majority of enthusiast would agree. Inside the Atmos track is a 71 mix of the entire soundtrack.

It may be dependent on each movies mix. For home systems I would stay with 71 as thats the closest optimal listening experience.

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